Why do I keep going back to sites of Holocaust memory and how might it be possible for me to use drawing as a tool to excavate a past personally unlived? Foucault describes his approach to writing history as archaeology, where discursive traces of the past are investigated in order to write a 'history of the present'. This is important because it expresses a desire to link with something beyond ourselves.
My research explores the phenomenon of miniaturisation, as reflected by the global trade and consumption of mass-produced miniatures, and what it reveals about the nineteenth century people who delighted in, desired, acquired, displayed, collected and discarded them.
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