Weaving with code: How can emotional attachment be designed into digital jacquard textiles using coding?
My Ph.D. research builds upon a variety of approaches to explore which factors generate emotional attachment into the practice of digital jacquard textiles and responds to an existing gap in research and data regarding emotional attachment into the digital jacquard design practice. It examines human responses to coding alongside the mechanical production of weaving on digital jacquard looms.
‘Coded Cloth’: Generative design as a digital process for jacquard weave design, using code to reanimate historical jacquard pattern archives
‘Coded Cloth’ is a collaborative research project with external partners: The Silk Museum and Paradise Mill, Macclesfield. It utilises archival materials to creatively explore and interpret, pattern designs for digital-led jacquard weaving through generative design and programming. A working relationship was established in 2013 with the Mill, to research their extensive silk jacquard archives.
The project positions the researcher as practitioner, exploring the hybrid connections or realms between digital/virtual and hand/real expressions. This practice-led enquiry contributes to the development of programming as a design and production method in woven design.
The Augmented Tonoscope: Towards a deeper understanding of the interplay between sound and image in Visual Music
Sound can induce physical form and flow - the stationary wave patterns of Cymatics (from the Greek: κῦμα“wave”). Dr Hans Jenny coined this term for his seminal studies into these phenomena in the 60s and 70s, using a device of his own design - the ʻtonoscopeʼ.
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