Spaces of Cultural Resistance: The Contestation Between Tradition and Colonial Housing Typologies in Southern African Townships - Zimbabwe (1894-2005).
My research investigates housing typologies introduced by the dividing policies of colonial segregation. Through an analysis of cities conceived on the basis of ‘colour lines,’ it will explore how colonial architects and town planners as agents of empire exercised ideological practices, bringing them to bear upon the practical needs of future occupants. The study will proceed to analyse the impacts of colonial archetypes on the native inhabitants and examine spatialities created during moments contestations between forms and occupant customs. Furthermore, the research will reinvigorate the disengaged discourse, between occupants as social organisms and anti-social industrial housing, developed during emergence of colonial industrial and factory systems. Here, as in other global urban locations, that were/are designed on the basis of segregation to enhance an elite groups power and wealth ; the thesis intends to identify solutions to these marginalised spatialities. It aims to show how the differences between cultural methods of existence and imposed architecture grounded in colonial ideological legislation, needed/need reconciliation to conceive coherent mechanisms that accommodate for changes in postcolonial urbanism.
Responses to the Culture and Politics of the United States of America in the Novels and Nonfiction of Anthony Burgess
To provide a critical account of the British author Anthony Burgess’s engagement with the culture and politics of the United States of America. Burgess travelled extensively in the USA for lecture tours, professorships, visiting author positions, book tours, and other artistic engagements. This enquiry involves original research into archived documents, audio recordings of lectures, unpublished letters and journalism. The dissertation will deploy this new material in a close analysis of six post-1960 novels and non-fiction books by Burgess.
Granada Television: A Cultural History from the 1950s to 1970s.
This research explores the cultural and historical legacies of the Granada Television Company from the 1950s to 1970s. Funded by the AHRC (2016-2019) the project examines the company's reputation for being a socially-conscious ‘radical’ broadcaster, its presentation of youth culture and the development of Granada's visual identity and construction of place, focusing in particular on the organisation's presentation of Manchester.
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