An Investigation of Syrian Conflict Photography on Flickr
The Arab Spring of 2011 saw the employment of social media, and contributed to the way in which photojournalists, citizen witnesses, and activists mediate and represent struggles and conflict in the Middle East (Allan, 2013). Looking particularly at Syria, the visual construction of the conflict is ever more present, and images of the war have become more common, as we now live in a world that is constructed more readily through imagery. Images are circulated with an unprecedented speed on global New Media outlets such as Facebook, Flickr and Twitter instantaneously (Anden-Papadopoulos and Pantti, 2013). Activists and citizen journalists have worked to gain public attention to fight against the Assad regime in Syria, largely through access to social media sites. In the process, activist groups such as Lens Young Dimashqi seek to record and document the conflict through photographic images of life during wartime.
Ibrik: Invigorating Cultural Heritage Within a Contemporary Context Through Redesign
The ibrik is a traditional Lebanese spouted water vessel with ties to Lebanese cultural heritage. Its production started as early as the Phoenician period in the Mediterranean area. While this object was once common to every household in Lebanon, today the ibrik is rarely used as intended. It either no longer exists or serves merely as decoration. The following project aims to redesign the ibrik through its animated cultural heritage as a craft and as a drinking vessel by embedding it with a contemporary visual dynamism.
Visual Activism in Israel and the Occupied Territories
My PhD thesis is concerned with examining the politics of visibility, expressly related to nonviolent Palestinian and international activist practices carried out in the Occupied Palestinian Territories.
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