An Investigation of Syrian Conflict Photography on Flickr
The Arab Spring of 2011 saw the employment of social media, and contributed to the way in which photojournalists, citizen witnesses, and activists mediate and represent struggles and conflict in the Middle East (Allan, 2013). Looking particularly at Syria, the visual construction of the conflict is ever more present, and images of the war have become more common, as we now live in a world that is constructed more readily through imagery. Images are circulated with an unprecedented speed on global New Media outlets such as Facebook, Flickr and Twitter instantaneously (Anden-Papadopoulos and Pantti, 2013). Activists and citizen journalists have worked to gain public attention to fight against the Assad regime in Syria, largely through access to social media sites. In the process, activist groups such as Lens Young Dimashqi seek to record and document the conflict through photographic images of life during wartime.
The Geographical Island
The geographical island is a recurring setting for narrative fictions. Within a number of literary narratives the island presents a space at a remove from the behaviour, landscape and culture of the central character’s homeland where familiar structures are readily heightened, critiqued or subverted.
Image and text in the construction of Greek national imaginaries. Pyrsos magazine in the GDR, 1961–1968
The research seeks to identify the ways in which the magazine’s editorial and art direction practices portrayed a space in which the refugees constructed their identity, their relationship to their homeland (Greece), their lives under “Real existing Socialism’ (mainly in the German Democratic Republic) and produced national(ist) imaginings.
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