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Contemporary Feminine Aesthetics After Postfeminism

My research investigates the relationship between 1990s-early 2000s postfeminist discourses of empowerment and constructions of female subjectivity in contemporary fictional genres aimed at women and girls.

The primary aim of the thesis is to better understand the impact of postfeminist empowerment discourse on women whose coming of age coincided with the height of its cultural ubiquity, and to explore the continuing postfeminist legacy in girlhood coming-of-age genres. To do this, I focus on the shifting affective registers of postfeminist culture and the role feelings and emotions play in constituting female subjectivity.

Conferred 2019

Revisiting English Chinoiserie from a Perspective of Postcolonialism: How Can New Narratives be Embedded into Cultural Heritage Sites through Art Practice?

A practice-based fine art research investigating the historiography of chinoiserie from a perspective of postcolonialism through exploring how otherness was prescribed to Chineseness.

Experiencing ‘Ghost Developments’ in Post-Crisis Ireland: A practice led interdisciplinary investigation into land, private property and public space

I am a filmmaker currently conducting practice-led research into the newly built environment in post-economic crisis Republic of Ireland, with particular reference to unfinished housing estates and vacant commercial property- which I refer to as 'ghost developments'.

Conferred 2017

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