My practice is situated in the intersection between sculpture and studio-based photography and will employ a range of strategies to unpack the function and definition of the wig, and interrogate the social context that currently produces and values it. This will involve investigating both the intention of the wig - representing, idealising and projecting the ‘feminine’ - and its material origins - the physicality of it and the cultural context that produces it. The female wig in particular offers a space for public and private ideas of femininity to interact. Women’s wigs can act as a metonym for the female body as both an artificial construct (the ideal female body), and an absence (the intended wearer, or, in the case of natural hair, the persons whose hair it was).
The research will be based on the relation of human body and architectural structures; especially how the human body has been the inspiration for the exterior shape of several architectural human colossi and how it was used as a building itself.
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