Haunting Corporeality: A Cultural History of the Animated Skeleton
The visage of an animated skeleton is an omnipresent theme in the cultural sphere of horror and the Gothic, but scant little attention has been given to this powerful symbol. My research blends literary studies, art history, archaeology, and thanatology to examine how the skeleton operates as a signifier throughout Western literary, visual, and material culture, originating during Medieval Christendom as a moralistic reminder of the afterlife and subsequently becoming a multi-faceted symbol for memorializing grief, disease and community health, class struggles, and ultimately humanity's own relationship with the vastness of time.
In the world of hypercomplexity and hyper rapid changes the answer to the escalating economic and social problems can only be a complex, comprehensive solution. And such a solution is more likely to emerge from design focused interdisciplinary collaborative networks which I believe will have the advantage in innovation. The question is how to "manage" such complex networks.
Gothic Contagion: A Trans-Disciplinary Exploration of the Gothic Mode's Representations of Infectious Disease and its Implications for Public Health
This thesis sets out to investigate the ways in which Gothic depictions of contagion mediate public perceptions about health, wellbeing and community at key moments of crisis in the evolution of capitalism.
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