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Manchester, UK
Sunday, November 18, 2018
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memory/remembrance/memorialisation

Distance matters: A visual archeology of the Plaszow concentration camp in Krakow

Why do I keep going back to sites of Holocaust memory and how might it be possible for me to use drawing as a tool to excavate a past personally unlived? Foucault describes his approach to writing history as archaeology, where discursive traces of the past are investigated in order to write a 'history of the present'. This is important because it expresses a desire to link with something beyond ourselves.

Dissecting The Site: an investigation of space, place and memory in Central Manchester Hospitals

In my art practice, I uncover hidden narratives, and use the material qualities of site and story to create visual artwork which speaks of what Christian Boltanski calls ‘small memories’, the overlooked or undocumented experiences of ordinary people.

Conferred 2015

Objects of Delight: The Nineteen Century Mass-Produced Miniature

My research explores the phenomenon of miniaturisation, as reflected by the global trade and consumption of mass-produced miniatures, and what it reveals about the nineteenth century people who delighted in, desired, acquired, displayed, collected and discarded them.

Conferred 2017

In Search of the Shortcuts – The Past in the Present. How walking and narrative interact in physically embodied space, virtual space and psychological space, in the context of a self-initiated artistic residency.

In Search Of The Shortcuts is a practice-led research project carried out from the perspective of an artist. By engaging in a practical and theoretical analysis of how walking and narrative interact in physical, virtual and psychological realms, it asserts that this interaction is vital for defining space. A self-initiated artistic residency is both central to the methodology of the project and enriched by the knowledge gained through the research. In Search Of The Shortcuts situates the past in the present, a shared affective experience around the suburban spaces of the artist’s childhood in Wythenshawe, which lies on the outer fringes of South Manchester. The artist also addresses the relationship between expanded drawing methods and narrative representation, in order to explore how the influence of Wythenshawe and the socio-political context of the 1980s have impacted on his practice.

Conferred 2017

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