This thesis offers an interpretation of the feminist periodicals Women's Penny Paper, Woman's Herald and Woman's Signal, using an original modified version of linguist Gérard Genette's theory of the paratext as a methodology. It examines to what extent the gendered conventions of late nineteenth century Britain influenced the editorial identities of these general feminist periodicals, and whether emerging hybrid paradigms of late nineteenth century New Womanhood in any way challenged conventional patriarchal ideals. The findings reveal that the periodicals studied projected a voice that was critical of the established gendered norms, which manifested through a plethora of carefully orchestrated editorial choices.
Postgraduate Profiles are searchable by any name and/or term using the 'GENERAL SEARCH' box below as well as through the 'RESEARCH KEYWORDS' used by PGRs across individual profiles. The larger the size of a specific terms in the list below the more PGRs that use it.