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Thursday, December 13, 2018
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Meanwhile/Becoming: A Postphenomenological Position Exploring Vision and Visuality in Landscape Photography

Meanwhile/Becoming is a practice-led research project that investigates methods of creating photographs that do not conform to the Cartesian perspective prevalent in photographs taken with a standard format camera. The research explores the opportunity of examining a visual space other than that offered by the standard single lens reflex camera through manipulation of the pinhole camera. It uses processes that produce what the research describes as a reinterpretation of phenomenology, postphenomenology and posthumanism through photographic practice; where the photographs are expressive of the what and how humans see and the lived experience of the situated perspectives of a specific space.

Experiments in somaesthetic art and the psychology of multisensory perception

. What are the implications of artists using galleries as perceptual laboratories or tools for exploring somaesthetic experience?

Through this interdisciplinary practice-based research, working closely with scientists, I plan to recreate a range of perceptual multi-sensory illusions. These will include somatic illusions of body ownership, [of body parts hands the face and tongue for example] as well as location and motion of the body in space. I hope to gain important insights from these experiments, which will inform a series of new artworks.

Portrait as Landscape: Rendering Topography of Face and Body

“Stop asking us for the inner being, essence, soul…,” Richard Avedon pleaded: "the surface is all you've got. "My research addresses questions of why when looking at portraits we instinctively make judgements about the subject’s character and personality and why such assumptions are wrong. Using a knowledge of the science of visual perception I will attempt to produce photographic portraits that reveal unexplored surface terrain unhindered by erroneous opinions.

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