The Multimodal book as organism, artefact and assemblage: non-human agency in processes of growing and making.
This practice-based research diffracts the hierarchical dominance of humans over nature by considering non-human agency in the processes of growing and making. The ‘multimodal book’, conceived as an investigative practice which includes the maker and reader, and also an assemblage of works which come together in an exhibition, is developed to examine and articulate human-non-human relationships. Haptic and temporal aspects of the book are explored alongside growing plants to set up a dynamic interplay between concepts of organism and artefact and to interrogate non-human agency in the processes of growing and making.
Reading Socially Engaged Book Art: Establishing New Dialogues
To construct a critical framework in which to read socially engaged book art (2000 to present day), with reference to selected case studies, through the mapping of connections between production methods, themes and book forms.
Distance matters: A visual archeology of the Plaszow concentration camp in Krakow
Why do I keep going back to sites of Holocaust memory and how might it be possible for me to use drawing as a tool to excavate a past personally unlived? Foucault describes his approach to writing history as archaeology, where discursive traces of the past are investigated in order to write a 'history of the present'. This is important because it expresses a desire to link with something beyond ourselves.
Pattern Making For New Fabric Joining Technologies
Over recent years, a number of new fabric joining technologies have increasingly been used in fashion and clothing manufacture, replacing or reducing the need for traditional sewing. Does this create a need for re-thinking and re-defining pattern making specifically for their use?
How Can Youth Be Celebrated Through Sculpture in the Public Realm?
This practice lead research investigates way in which sculpture can represent young people in the public realm. Whereby both, the public space of the municipal exhibition space and the public space of an urban park are investigated.
In Search of the Shortcuts – The Past in the Present. How walking and narrative interact in physically embodied space, virtual space and psychological space, in the context of a self-initiated artistic residency.
In Search Of The Shortcuts is a practice-led research project carried out from the perspective of an artist. By engaging in a practical and theoretical analysis of how walking and narrative interact in physical, virtual and psychological realms, it asserts that this interaction is vital for defining space. A self-initiated artistic residency is both central to the methodology of the project and enriched by the knowledge gained through the research. In Search Of The Shortcuts situates the past in the present, a shared affective experience around the suburban spaces of the artist’s childhood in Wythenshawe, which lies on the outer fringes of South Manchester. The artist also addresses the relationship between expanded drawing methods and narrative representation, in order to explore how the influence of Wythenshawe and the socio-political context of the 1980s have impacted on his practice.
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