The place of Finnegans Wake in the canon of Western literature might initially to make it appear to be an odd choice of text for illustrative interpretation. However, its peculiar position as a hugely influential, yet relatively unread work suggest it as an appropriate object through which to examine interactions between the literary and the visual imagination.
In my art practice, I uncover hidden narratives, and use the material qualities of site and story to create visual artwork which speaks of what Christian Boltanski calls ‘small memories’, the overlooked or undocumented experiences of ordinary people.
This research argues that deterministic decisions to fundamentally evolve the planning and design process to accommodate the diversity and temporality of urban occupation based solely on conventional inventory and analysis are severely lacking in representing social and emotional aspects of place and geography (Toms 2010).
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